Katy Perry - Dark Horse ft Juicy J (#1 hot 100)

dauswq

intro agak pelik, lari genre asl katy perry...mcm r&b style...

part chorus pun ade nigga rap...

Muntz

Lagu nie official second single ker?

dauswq

Muntz posted on 20-10-2013 10:25 PM
Lagu nie official second single ker?

entahlah noks...cam lagu sampah jah

Muntz

dauswq posted on 20-10-2013 11:02 PM
entahlah noks...cam lagu sampah jah

Tak pun release kat urban radio jer kut? Itupun kalau urban radio nak terima lah.

dauswq

Muntz posted on 20-10-2013 11:04 PM
Tak pun release kat urban radio jer kut? Itupun kalau urban radio nak terima lah.

kerlastt noks..
skrg uols dh jadi peminat resmi cyrus? avatar bagai lagi...

dauswq

lagu naik perlahan2 dlm chart...
another sleeper hit from katy pery..
baik ganti unconditionally

dauswq

tak lama lagi akn no.1 lagu ni...
skrg no.2, beza 2% margin

sleeper hit song...
dan lagu katy perry yg bukan bubblegum yg berjaya dlm mainstream...

Muntz

dauswq posted on 26-1-2014 03:23 AM
tak lama lagi akn no.1 lagu ni...
skrg no.2, beza 2% margin

Kan best kalau ada lagu mcm California Gurls.

dauswq

Muntz posted on 26-1-2014 03:40 PM
Kan best kalau ada lagu mcm California Gurls.

katy dh jadi janda skrg...harapan lah buat lagu jenis teenager style lagi...

tepisket..

on Grammy's!! awesome!!!

dauswq

tepisket.. posted on 29-1-2014 02:48 PM
on Grammy's!! awesome!!!

konfem minggu ni dpt no.1..streamming naik mendadak

tepisket..

dauswq posted on 29-1-2014 02:51 PM
konfem minggu ni dpt no.1..streamming naik mendadak

ha'ah.. radio local pon asik ulang lagu ni..
best pulok lirik dia

dauswq

tepisket.. posted on 29-1-2014 04:37 PM
ha'ah.. radio local pon asik ulang lagu ni..
best pulok lirik dia

                                       Katy Perry's 'Dark Horse' Gallops to No. 1 On Hot 100
                                                                                                                                                         


                                       Katy Perry performs on stage during the 56th Grammy Awards at the Staples Center in Los Angeles, California, January 26, 2014.


      The song, featuring Juicy J, becomes Perry's ninth leader and the second from 'PRISM,' among other notable achievements. Plus, Jason Derulo soars into the Hot 100's top 10  

Katy Perry's "Dark Horse," featuring Juicy J, races into the Billboard Hot 100's winner's circle, rising 2-1. The song, infused with trap dance elements, marking a bit of a departure from her standard pure-pop fare, becomes her ninth career leader.

"This No. 1 is the most unexpected one I've ever had," Perry tells Billboard exclusively. "'Dark Horse' has been a dark horse of a song, since August when the KatyCats voted to release it early on iTunes, before 'PRISM' even came out. I'm so thrilled and grateful to have these moments."

As we do each Wednesday, let's run down the numbers behind the Hot 100's top 10, starting with a host of accolades that Perry and Juicy J earn upon their coronation.

Nine No. 1s: "Dark Horse" marks Perry's ninth Hot 100 No. 1, lifting her into a five-way tie for 10th place among artists with the most toppers in the chart's 55-year history. The Beatles lead with 20 No. 1s, followed by Mariah Carey (18), Michael Jackson, Rihanna (13 each), Madonna, the Supremes (12 each), Whitney Houston (11), Janet Jackson and Stevie Wonder (10 each). Perry equals the No. 1 sums of the Bee Gees, Elton John, Paul McCartney (solo/apart from the Beatles) and Usher.

Perry's nine Hot 100 champs are: "I Kissed a Girl" (2008), "California Gurls," featuring Snoop Dogg, "Teenage Dream," "Firework" (2010), "E.T.," featuring Kanye West, "Last Friday Night (T.G.I.F.)" (2011), "Part of Me" (2012), "Roar" (2013) and "Dark Horse."

The '10s Spot: Perry has tallied eight of her nine Hot 100 No. 1s in the '10s, tying Rihanna for the highest total this decade. Bruno Mars ranks second in the '10s with five leaders, followed by Adele, Eminem and Ke$ha (three each).

As of this week, Perry becomes the only artist to have risen to No. 1 in each year of the current decade.

'Dream' On: "Dark Horse" is the second Hot 100 No. 1 from Perry's album "PRISM," following lead single "Roar," which ruled for two weeks in September. With Perry having logged five No. 1s from her last album, "Teenage Dream" (tying Michael Jackson's "Bad" in 1987-88 for the most No. 1s from an album), she joins a select group of (now five) women who've tallied multiple No. 1s from consecutive studio albums.

Mariah Carey collected multiple Hot 100 No. 1s from an incredible four consecutive studio sets (excluding her 1994 holiday release "Merry Christmas"). She notched two from 1993's "Music Box" ("Dreamlover," "Hero"); three from 1995's "Daydream" ("Fantasy," "One Sweet Day," with Boyz II Men, "Always Be My Baby"); two from 1997's "Butterfly" ("Honey," "My All") and two from 1999's "Rainbow" ("Heartbreaker," featuring Jay Z, and "Thank God I Found You," featuring Joe and 98 Degrees).

Whitney Houston earned multiple No. 1s from three straight studio efforts: "Whitney Houston" yielded three in 1985-86 ("Saving All My Love for You," "How Will I Know," "Greatest Love of All"); "Whitney" produced four in 1987-88 ("I Wanna Dance With Somebody (Who Loves Me)," "Didn't We Almost Have It All," "So Emotional," "Where Do Broken Hearts Go"); and, "I'm Your Baby Tonight" generated two in 1990-91 (the title cut, "All the Man That I Need").

Janet Jackson managed the achievement over two albums. She scored four No. 1s from 1989's "Rhythm Nation 1814" ("Miss You Much," "Escapade," "Black Cat," "Love Will Never Do (Without You)") and two from 1993's "Janet." ("That's the Way Love Goes," "Again").

Paula Abdul created the elite club in 1989-91. She posted four No. 1s from 1989's "Forever Your Girl" ("Straight Up," the title track, "Cold Hearted," "Opposites Attract," with the Wild Pair) and two from 1991's "Spellbound" ("Rush Rush," "The Promise of a New Day").

(Looking ahead, should Perry post a third No. 1 from "PRISM" [perhaps potential single candidates like "Birthday," "Walking on Air" or "International Smile"?], she'd join Houston as the only women with at least three leaders from consecutive studio albums.)

"Horse" Races: Let's also hear it for the song that has Perry back in the saddle at No. 1 on the Hot 100. Horse-torians, take note: the new No. 1 is the second with the word "horse" in its title. America's "A Horse With No Name" led for three weeks in 1972. The next highest-peaking such songs to have raced up the Hot 100: Cliff Nobles & Co.'s "The Horse" (No. 2, 1968) and Taylor Swift's "White Horse" (No. 13, 2008).

Juicy's Jump: Meanwhile, "Dark Horse" featured act Juicy J celebrates his first Hot 100 No. 1. He previously peaked as high as No. 11 in October as a guest, with Miley Cyrus and Wiz Khalifa, on Mike WiLL Made-It's "23."

As Billboard's Keith Caulfield notes, Juicy J also joins the lofty ranks of acts who've earned an Academy Award and a Hot 100 No. 1. As a member of Three 6 Mafia, the rapper (born Jordan Houston) shared in the group's win for best original song in 2006 for "It's Hard Out Here for a Pimp," from the film "Hustle & Flow." Among the artists who've doubled up with Oscars and Hot 100 No. 1s are Adele, the Beatles, Irene Cara, Cher, Phil Collins, Eminem, Elton John, Henry Mancini, Prince, Lionel Richie, Frank Sinatra, Barbra Streisand and Stevie Wonder.

As for how "Horse" wins the Hot 100's first-place ribbon, it leads all but one of the Hot 100's main component charts. It tops Digital Songs (294,000 downloads sold, up 12%, according to Nielsen SoundScan) and the subscription services-based On-Demand Songs chart (2.5 million U.S. streams, up 28%, according to Nielsen BDS) for a third week each and takes over atop Streaming Songs, where it pushes 3-1 (5.6 million streams, up 8%). It's Perry's second No. 1 on Streaming Songs, following "Roar." The song's streaming momentum could increase once its video is released; Perry is currently in the process of filming it. Notably, with no official clip so far, VEVO on YouTube is the source of most of the cut's streaming activity, accounting for 39% of its streams. Spotify is a close second among data sources with 37%.

On Radio Songs, "Dark Horse" surges 9-4 with 101 million all-format audience impressions, up 21%, according to BDS.

Perry performed "Dark Horse" on the Grammy Awards Sunday night (Jan. 26), helping fuel its rise on this week's charts. As previously reported, the latest sales tracking week ended on Sunday night (Jan. 26), so while a bevy of Grammy-related songs and albums show gains this week, we'll see the full impact of the night on next week's charts, once a full week of sales have registered.

"Dark Horse" dethrones Pitbull's "Timber," featuring Ke$ha (1-2), after three weeks atop the Hot 100. "Timber" rises 3-2 on Radio Songs (although with a 3% decreases to 127 million), and dips 2-3 on Streaming Songs (5.4 million, down 1%) and 3-5 on Digital Songs (169,000, down 16%).

In terms of overall Hot 100 chart points, "Dark Horse" wins the race to No. 1 over "Timber" by far more than a nose. With the former up by 14% and the latter down by 8%, "Horse" takes the title by a comfortable 19% margin.

Rounding out the Hot 100's top five, OneRepublic's "Counting Stars" holds at No. 3 (and atop Radio Songs for a second week, holding with 143 million), followed by A Great Big World and Christina Aguilera's "Say Something" and Eminem's former four-week No. 1 "Monster," featuring Rihanna, which hold at Nos. 4 and 5, respectively. The latter spends a 13th week at No. 1 on the Hot R&B/Hip-Hop Songs chart.

Jason Derulo lands the Hot 100's lone new top 10 arrival this week, as "Talk Dirty," featuring 2 Chainz, vaults 15-6 with the top Streaming Gainer award. It rockets into the Streaming Songs top 10 (17-8; 3.9 million, up 53%) and blasts 6-2 on Digital Songs with 194,000 downloads sold (up 31%). In its second week on Radio Songs, it speeds 48-26 (40 million, up 45%).

"Dirty" has been boosted by the buzz of its "Celebrities Talkin' Dirty" trailer video, in which artists including Robin Thicke, Flo Rida and Ariana Grande endorse it, with OneDirection also having posted a clip of the boy band dancing along to it.

The song becomes Derulo's fourth Hot 100 top 10 and first since his first three entries all reached the region in 2009-10: "Whatcha Say" (one week at No. 1), "In My Head" (No. 5) and "Ridin' Solo" (No. 9). In between "Solo" and "Dirty," Derulo still managed to notch four top 30 hits, including last year's "The Other Side" (No. 18) and "Marry Me" (No. 26). 2 Chainz locks up his second Hot 100 top 10; A$AP Rocky's "F**kin Problems," on which he's featured alongside Drake and Kendrick Lamar, peaked at No. 8 a year ago.

Closing out the Hot 100's top 10, Passenger's "Let Her Go" descends 6-7 (and leads Hot Rock Songs for a third week); Lorde's "Team" holds at its No. 8 peak to date, while her former nine-week No. 1 "Royals," honored at the Grammys Sunday for song of the year and best pop solo performance, drops 7-9; and, Bastille's "Pompeii" spends its second week at its No. 10 highpoint.

Visit Billboard.com tomorrow (Jan. 30), when all rankings, including the Hot 100 in its entirety and Digital Songs, Radio Songs, Streaming Songs and On-Demand Songs, will refresh, as they do each Thursday. The latest charts will also appear in the next issue of Billboard magazine (on sale on Friday, Jan. 31).













NOTA KAKI: kali pertama rasanya katy pery dpt no.1 bukan kerana promotion berlebih-lebihan, ttp kerana kualiti lagu tu sendiri...lagu ni slowly naik dlm chart akhirnya meraih no.1 tnp bantuan bideo clip & live shows di mana-mana (grammy award live show pertama yg dia buat), dan rasenye katy perry sgt2 fokus Unconditionally dr single ni yg mana unconditionally becoming her lowest charting single since Californian Gurls...tak sangka dpt no.1...
respek katy perry utk single ni kerana dpt no.1 bukan kerana overexposed spt yg dia buat sblm ni utk single2 lain...

@Muntz  @KoSe

nameloo

dauswq posted on 30-1-2014 02:02 PM
Katy Perry's 'Dark Horse' Gallops to No. 1 On Hot 100
     ...

Unconditionally tu kalau top 10 bole terima lagi, ni belas2

Anyway, congrats!

Lagu ni memang haunting gila, mula2 menyampah, lama2 suka plak

Btw, Grammy's performance suck.

Die memang tak berbakat nyanyi live, same goes with TayTay

Nasib baik Radioactive masa Grammy's tu explosive gila, whole body orgasm kejap

dauswq

nameloo posted on 31-1-2014 10:06 AM
Unconditionally tu kalau top 10 bole terima lagi, ni belas2

Anyway, congrats!

ah ler...no.14
kalah satu anak tangga dr lagu lady gaga

KoSe

dauswq posted on 30-1-2014 02:02 PM
Katy Perry's 'Dark Horse' Gallops to No. 1 On Hot 100
     ...

giler ah miss perry.. artis era baru yg sangat success bersama Rihanna..

dauswq

Why Is Katy Perry’s “Dark Horse” No. 1?                                                                
               
                          
                              By Chris Molanphy      
                                                                                                               Katy Perry's Spinal Tap–worthy performance of "Dark Horse" on last week’s Grammys.

  

Photo by FREDERIC J. BROWN/AFP/Getty Images

                                                             Before we talk about the new No. 1 song in America—Katy Perry’s latest in a hit-packed, half-decade career—here’s a quick pop-music pop quiz.

                                                                                                                                                  In 2010–11, Perry tied an impressive chart record when her album Teenage Dream generated five No. 1 singles on Billboard’s Hot 100. She matched a 23-year-old mark set by Michael Jackson, whose Bad in 1987–88 became the first album ever to produce five No. 1’s.



                                                                                                         Quick, without Googling: How many of Perry’s five chart-toppers from that record-tying 2010 album can you name in 2014?



                                                             If you know your 2010s pop, the first three should be gimmes. Leadoff single “California Gurls”—featuring Snoop Dogg and that line about “Daisy Dukes/ Bikinis on top”—was the consensus Song of the Summer. The second single, the album’s title track, was all electro wistfulness, Madonna crossed with “Jack and Diane”; it’s Perry’s most critically acclaimed single and a notably adaptable tune. Third single “Firework” was the album’s biggest-selling hit, an ersatz It Gets Better anthem that will probably be sung at elementary-school graduations for years to come.



                                                             Of the remaining two, I’m going to guess the one you’ll recall more easily is the fifth of the five: the summer 2011 trifle “Last Friday Night (T.G.I.F.),” with its memorable video that put Perry in braces and big hair for a parody of every ’80s teen movie ever. But what was that fourth hit?

                                                             “E.T.,” featuring Kanye West. Not ringing a bell? To jog your memory, here’s the Floria Sigismondi–directed video, which is frankly more impressive than the song itself.



                                                             As a song, the alien-sex curio isn’t as grabby as any of the above-mentioned four hits. But amazingly, “E.T.” is the second-highest-selling single of Perry’s career (5.6 million copies, behind only “Firework’s” 6.3 million) and was the fourth-biggest Billboard hit of 2011. It’s also a song her label didn’t originally plan to release as a single. Reportedly, after “Firework,” Perry had to convince them “E.T.” could be a hit, and for the remix West was brought in as extra insurance.



                                                             I bring up “E.T.” because Perry’s new Hot 100 topper, “Dark Horse” featuring rapper Juicy J, might as well be called “Son of E.T.” The darkest track on Perry’s sparkly 2013 album, Prism, “Horse” is just as spooky—and it was conceived to fill the same slot in Perry’s otherwise bright-and-shiny oeuvre.



                                                            


                                                             And like “E.T.,” its hit potential was not obvious. “This No. 1 is the most unexpected one I’ve ever had,” Perry told Billboard last week when the song reached the penthouse. “‘Dark Horse’ has been a dark horse of a song, since August when [fan group] the KatyCats voted to release it early on iTunes, before Prism even came out. I'm so thrilled and grateful.”



                                                             The similarities don’t end there. “E.T.” was a pop-friendly approximation of then-current electronic music tropes—techno and dubstep—just as EDM was beginning to storm pop radio in 2010. Likewise, “Dark Horse” is a pop-friendly version of the hip-hop/electronic subgenre known as trap; it retains trap music’s synth sheen, if not its druggy bleakness. Perry’s version of trap music is then painted over with goth nail polish—made even gaudier in Perry’s Spinal Tap–worthy performance of the song on last week’s Grammy telecast. Both songs are blippy, spacey, and broadly danceable or at least bounceable, if you like your club music minimalist.



                                                             Unsurprisingly, both songs were co-written by pop mastermind Lukasz “Dr. Luke” Gottwald—yes, him again. (“Horse” is his second straight No. 1 after Pitbull/Ke$ha’s “Timber,” and it won’t be his last.) Luke has worked closely with Perry since she broke in 2008 and is responsible for the bulk of her chart-toppers. And he, too, seems to have viewed “Dark Horse” as an unofficial sequel to “E.T.” He first wrote the earlier song with with Juicy J’s longtime rap crew Three 6 Mafia in mind, before Perry snagged the song for herself. T6M are best known for their Oscar-winning “It’s Hard Out Here for a Pimp”; they had a handful of gold and platinum albums before the Oscar win, and a handful of Top 40 hits afterward. But Dr. Luke has long had his eye on the charismatic Juicy J for stardom: Luke refers to Juicy as “my rapper” in a recent New Yorker profile, and Juicy is now signed to Luke’s Kemosabe label. With “Dark Horse,” Gottwald, working with his mentor Max Martin and Perry, has effectively redone “E.T.” as a showcase for Juicy, rectifying the loss of the would-be T6M hit to Perry’s prior album.



                                                             Sonically at least, Gottwald, Martin, Perry, and their army of studio wizards did a better job the second time. Though it may have been a blockbuster hit, “E.T.” was lugubrious, dopey, and left a bad xenophobic aftertaste. “Dark Horse” isn’t a great song, and it hasn’t entirely solved the dopey-lyrics problem; Juicy drops an unfortunate Jeffrey Dahmer simile right at the start of his verse. But on the whole “Horse” is more energetic and has a brain-sticky digital bounce. Aging Gen-X fans of vintage synths might even find its keyboard hook warmly familiar—it’s a sound R&B and hip-hop have been mining for several years now. Juicy’s rap is catchy, and Perry’s yelp of a voice, an acquired taste at best, is well matched to “Horse’s” insistent ache.


That voice isn’t suited to everything Perry tries—ballads, especially. In fact, “Horse” rights the ship for Perry after “Unconditionally,” a midtempo torch song that was the second promoted radio single from Prism. By Perry’s standards “Unconditionally” was a flop, peaking at No. 14 over the holidays and snapping her streak of Top 10 hits. Balladry has long been a chink in the armor of Battleship Perry: She has repeatedly underperformed with forgettable songs like “Thinking of You” (No. 29, 2009) and “The One That Got Away” (which ended the Teenage streak of No. 1’s and prevented Perry from topping Jackson’s record). The closer Perry veers toward smoldering romance, the more radio listeners yawn.



                                                             Long-term, this may present a bit of a challenge to Capitol. The label has been working, single by single, to style Perry—born Katheryn Hudson and a former Christian music singer—as an all-purpose inspirational starlet. Yes, this is the woman who kicked off her pop career in 2008 with a hateful bit of homophobic taunting and an equally noxious bit of faux-homophilic titillation. But the Perry of the 2010s mostly hews to the motivational mode of “Firework”—or, better, the anthemic “Roar,” Prism’s chart-topping leadoff single. “Roar” is a better, sturdier song than anything else on Prism, but Perry and Capitol can’t go to that well every time.



                                                             In this era of the focus-grouped hit single, perhaps it’s as simple as listening to avid pop fans. “Dark Horse” was already selling well at iTunes before it was tapped as an official single. Next, if it’s sonic variety Capitol needs, Perry’s homage to ’90s house, “Walking on Air” (the second-best track on Prism after “Roar,” I’d argue) has been doing some business on iTunes as a non-single, and they’d be fools not to turn to it by summer.

                                                             For now, popheads have sent a clear message that they enjoy Perry in her Hot Topic, goth-girl-with-training-wheels mode. Maybe next time, Luke and Perry can solve Capitol’s singles dilemma entirely, by combining the uplift song and the spooky song in one—perhaps something about spirit animals, called, say, “Patronus.” Watch, it’ll dominate the Hot 100 for months.

dauswq

nameloo

Sigh

Video so Katy

Was expecting something dark and morbid, tapi still dapat ala2 California Gurl nye vid

Ok la.

Nothing like i expected at all

dauswq

nameloo posted on 22-2-2014 08:00 AM
Sigh

Video so Katy

ade kalimah Allah...

At 1:14 the man is wearing something that says allah on his chain, this needs to be taken down since his name s burned dowb in the video, i didnt expect this kind of shit from katy perry. This is unacceptable.