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best jer citer ni. aper yg tak bestnyer?
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When Michelle escapes the bunker and finds a new threat waiting, this is partially an extension of the abuse metaphor. For victims of domestic abuse, just getting out of the house doesn’t immediately solve all their problems. For the metaphor to stay sound, 10 Cloverfield Lane needs to acknowledge that finding the courage to leave an abuser doesn’t guarantee a happily-ever-after. For a moment, when Michelle first removes her makeshift gas mask and learns that Howard was wrong about the poisonous air, it seems like the movie might end on a note of relief, and the promise that her problems are over. But that would be facile, and would also mean that Michelle had been in a standard slasher movie, where arbitrarily bad things happen to random people, and nothing much is learned. And that wouldn’t be in keeping with the movie’s actual arc, which is all about the way Michelle comes to terms with her abuse. Michelle’s problems didn’t start with Howard, and they don’t end with him. They aren’t imaginary, like the toxic threat, and they aren’t just part of some vague general calamity. They’re specific and personal, and they require a specific, personal catharsis. And that’s the primary reason the big, direct confrontation is necessary in the final act. |
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yg Before I Wkake tu best....citer budak yg mimpi dia jadi realiti tu....THE CANKER MAN.......lol
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