AND THE PREDICTED NOMINEES ARE
1.Denzel Washington – “Fences” 2.Casey Affleck – “Manchester by the Sea“ 3.Joel Edgerton – “Loving“
4.Ryan Gosling – “La La Land“
5.Tom Hanks – “Sully“
THE NEXT FIVE
6.Andrew Garfield – “Silence”**
7.Will Smith – “Collateral Beauty”
8.Jake Gyllenhaal – “Nocturnal Animals“
9.Michael Keaton – “The Founder”
10.Joe Alwyn – “Billy Lynn’s Long Halftime Walk”
OTHER TOP-TIER CONTENDERS
11.Dev Patel – “Lion”
12.Nate Parker – “The Birth of a Nation”
13.Miles Teller – “Bleed for This“
14.Brad Pitt – “Allied”
15.Viggo Mortensen – “Captain Fantastic“
16.Matthew McConaughey – “Gold”
17.Chris Pratt – “Passengers”
18.Adam Driver – “Paterson”
19.Michael Fassbender – “The Light Between Oceans“
20.Ethan Hawke – “Born to be Blue”
Author|Post time 12-9-2016 09:54 AMFrom the mobile phone|Show all posts
Edited by dauswq at 12-9-2016 09:58 AM
mat_arof replied at 12-9-2016 08:58 AM
untuk kategori Best actress...ramai juga calon awal....
Slmt hari raya mat arof
Filem jackie tu rasenye ditayangkan thn depan, tak sempat utk bertanding oscar thn ni.. Tak sure samada ada limited screen sblm 31 dec ni...Lagipun natalie portman dan amy adam masing2 tumpas dgn emma stone la la land yg menang best actress volpi cup..
Pd pendapat aku, amy adam dan natalie ni leh letak sbg 2nd tier, bkn top tier dah..tp depend gak kt oscar ni kadang2, jen law pun leh tercalon thn lepas semata2 nk slot in top 5
Tunggu anetta Benning ni camne, wtk dia dlm 20 century woman pun tak sekuat mane ala2 patricia artique dlm boyhood jek kot ...
Filem lakonan michelle pliffer pun nmpknya tak melayakkn dia utk meraih pencalonan
Author|Post time 12-9-2016 10:03 AMFrom the mobile phone|Show all posts
joey_mcintrye replied at 11-9-2016 10:04 PM
Layar Lara tu dulu ada harapan but big mistake pi hntr yg xde sari kata. Terus kena reject. :huff ...
Konspirasi uols.. Tak nak cina menang pengarah lagi..
Thn lepas dh liew seng tat dh dapat satu..
At least bg kt syamsul yusof, anak usop haslam - tangan2 ffm thn ni pun dptlah kan selamatkan maruah .. 3 kali best director tu... Direct filem-filem aksi jek.. Uols tak bangga kah?
Ala2 pengarah transformer menang best director 3 kali utk 3 siri transformer
Post time 13-9-2016 10:31 PMFrom the mobile phone|Show all posts
dauswq replied at 12-9-2016 10:03 AM
Konspirasi uols.. Tak nak cina menang pengarah lagi..
Thn lepas dh liew seng tat dh dapat sa ...
Ada Schumi dlm barisan juri pun x membantu. Heshe karatz Ummmngok. Sayang betul dulu Schumi ni pengarah yg I minat sangat. Tp lepas dia galak dok buat filem propaganda Ioulls langsung x minat. Ioulls harap dia kembali ke pangkal jalan.
Filem Layar Lara heshe antara filem Melayu zaman moden yg setanding dengan karya terbaik luar negara. Every thing drpd lakonan, skrip, runut bunyi mmg cukup rencah. Ioulls kalau Layar Lara tayang je kt tv mesti terpana. Dialog malar segar dan sgt diingati.
filem Moonlight arahan african american dpt pujian merata dekat telluride & Toronto festival
kemungkinan Black director ni akn dpt nomination utk kategori best director..tak pun, best screenplay @cyclops_psycho
Toronto Film Festival 2016: 'Moonlight' Is a Masterpiece
The festival delivers a strong contender for best movie of the year in this three-part tale of a young African-American boy growing up
From big Oscar hopefuls to rock docs and WTF midnight-madness flicks, the must-see movies of TIFF 2016
Ah yes, the M-word — so overused and abused, so very dangerous to throw around when you're talking about an artist with only two films under his belt. But Moonlight earns the right to be identified as a cinematic pinnacle as well as a personal statement; this is what "the movies" look like when the medium's full arsenal of expression is being tapped by someone with vision. In adapting playwright Tarell Alvin McCraney's work "In Moonlight Black Boys Look Blue," Jenkins has found a vehicle for refracting various aspects of African-American life through the prism of one sensitive kid's bumpy journey to manhood, one woozy, swooning shot at a time.
And like that experience, nothing about the narrative he's presenting is simple: The local drug-slinger (Mahershala Ali) is both a neighborhood destroyer and a nurturing father figure to Chiron, a picked-on kid in desperate need of a guide. The boy's best friend Kevin is both a belligerent high-school bully's muscle-for-hire and someone who'll provide Chiron with his introduction to physical intimacy. Mom (Naomie Harris) is a protective figure trying to keep the lad from falling under the sway of bad folks while also buying crack from those exact same people. Everyone contains multitudes. Everyone is a human being.
As for Chiron, well ... he's a quiet, near-silent kid filled with anger, shame and the sense that something about him is different. His peers pick up on the fact that he's gay before he does, which only adds to the confusion and alienation he feels both inside and outside his household. (In one of the movie's best scenes, Chiron asks the dealer and his girlfriend, played by Janelle Monáe, what a "faggot" is. The older man sympathetically replies "a word designed to make gay people hate themselves"; the shot of Monáe slowly shaking her head when he starts to add a qualifier is the GIF everybody should be getting for Christmas.) Played as a prepubescent by Alex Hibbert and as a teen by Ashton Sanders, the character is defined by his passiveness and his isolation, whether sitting in a bath with stove-warmed water, standing out at the shore at dusk or staring into the camera in a school nurse's office after a severe beating. Until, suddenly, he's not passive at all — and by the time we catch up with his third incarnation, played by Trevante Rhodes, the prison-bulky physique and gold fronts immediately tell you what's happened to him in the interim.
The successful narco-entrepreneur, the crack-addict mom, the homophobic alpha-male thug, the beta-male kid who's pushed too far, the gay teen coming out in dire circumstances — these are clichés. Jenkins, however, inverts every single one of these aspects and weaves them into the mix in a way that tells this boy-to-man tale like a mosaic made out of broken, refitted materials. Familiarity does not breed contempt here, especially when the shorthand qualities are filtered through such a sumptuous visual palette; the use of color in particular, with tons of midnight blues, bruised purples and the occasional Miami neon-pastel splash, turns this into something far more impressionistic than your average bleak, life-is-hard drama or tragic love story. "Whenever I make a formal choice, I want it to be rooted in something," Jenkins said at the post-screening Q&A, which sounds obvious until you realize how few filmmakers seem to be doing that these days, in either the studio or indie sectors. You watch the way he works with actors (all of the performances feel perfectly attuned), you see how he collaborates with cinematographer James Laxton and how he's found his own connection through McCraney's theater piece, and you realize you're in solid hands here. Every camera movement feels accounted for.
By the time we get to film's final act, in which a buffed-up Chiron, now known as "Black," returns to visit his now-grown buddy (played by The Knick's André Holland), and the two men catch up in the latter's restaurant, we've already watched the character go through several rounds of self-demolition. To say that Jenkins gifts Chiron a deserved moment of peace is to underplay the impact of the movie's last long, laconic conversational set pieces; the gesture of healing that the filmmaker presents in a silent, penultimate shot is the most quietly devastating reward you will get as a moviegoer this season.
It's been eight years since Jenkins gave us his debut Medicine for Melancholy, and many of us in Toronto had been hoping he'd made the most of the time to, if nothing else, avoid a sophomore slump. Instead, as we all realized while standing and clapping and sobbing while the director and the cast took the stage and the leaves above us felt like they were rustling over our heads that he'd just given us a rare gift. We would be leaving the theater as different people than we'd come in. We'd seen a unicorn. We'd seen an M-word.
best actress melayu sepanjang zaman
rasenye setakat ni ida nerina jek boleh dibariskan aktress melayu terbaik spnjg zmn
lain2 mcm ogy, erma, maya belum boleh tandingi arwah kak yan wlpn menang anugerah sama banyak dgn arwah kak yan..
@mat_arof
Post time 16-9-2016 10:27 AMFrom the mobile phone|Show all posts
dauswq replied at 15-9-2016 11:51 AM
filem Moonlight arahan african american dpt pujian merata dekat telluride & Toronto festival
...
Yess, out of sudden filem ni jd sebutan and menjadi pencabar utama utk best picture, director and original screenplay.
Brad Pitt is the executive producer filem ni..kalau perasan saban tahun mesti ada filem Brad Pitt yg tercalon kat Oscar..last 2 years, Money Ball, last year One Big Short and tahun ni mcm Moonlight aje.
tak de tp biasanya yg dpt pujian gila2 dlm tiff mmg akan tercalon dlm oscar dan mgkn akn menang..
cthnya brie larson - room dan monique - precious sblm ni
rase kecewa lak moonlight tak dpt penghargaan sgt dlm tiff, tak mcm precious dpt menang people choice award sblm ni
smpi directornya lee daniels tercalon oscar
nmpknye african american kena work lebih kuat lg pasni
masalah black people ni dr dulu ade jek kontroversi , kejap dgn dadah lah, racism lah, crew tak sebulu lah
diorg ni kadang2 tak united sesama sendiri
mgkn sbb tu faktor utama selalu kena snubbed oscar..
Post time 12-9-2016 09:02 AM
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